Wednesday, August 26, 2020

Ontrast Between Language Of Love In The Balcony Essay Example For Students

Ontrast Between Language Of Love In The Balcony Essay Word Count: 456In William Shakespeares _Romeo and Juliet_, Shakespeare presents manythemes that he proceeds all through the entirety of his catastrophes, including the languageof love versus the language of death. The gallery scene is the most valuablescene delineating the language of adoration, though in the last scene of theplay the language of death is utilized to make way for their suicides, pullingtogether the appalling closure of the play. During the time scene ofAct II, Romeo utilizes lovely analogies and comparisons to communicate his affectionfor Juliet:O, talk again splendid holy messenger, for thou artAs gloriousto this night, being oer my headAs is a winged delegate of heaven.(Rom. II. II, 28-30.)This entry is utilized to contrast Juliet with a heavenly attendant, somethignthat is generally held as hallowed and exquisite. Somewhere else in the scene thereare lines that depict their adoration for each other, and add to the romantictheme of the scene:And however thou love me, let them discover me here. My life better finished by their hateThe passing prorogued, wantingof thy love.(Rom. II. II, 76-78.) In the last scene of the play, thereis much discuss demise by Romeo, Friar Laurence, and Juliet. Romeo announceshis own death in his soliloquy:Depart once more. Here, here I will remainWith worms and housekeepers. O, hereWill I set my everlastingrestAnd shake the burden of foreboding starsFrom this world-weariedflesh. Eyes, look your last!Arms, take your last grasp! What's more, lips,O youThe entryways of breath to charming death!(Rom. V. III, 108-114.)TheFriars Frantic wrods and activities in strife to his past quiet statureillustrate the bleak mind-set of the scene:Stay not to address, for thewatch is coming. Come, go great Juliet. I dare no longer stay.(Rom. V. III, 158-9.) Both the language of adoration and the language og demise playimportant jobs in the disaster. They help out light and dull imageryto make the play the magnum opus it is, a play of oddities and oxymorons,good and malicious, neither one entire without the other. For without affection therewould be nothing to lose, and without death there would be no real way to lose it.

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